Latest News
Escape Studios partners with Epic Games and leading European animation schools to deliver world’s largest training programme in Unreal Engine
Mark Flanagan, Education Partner Manager, Epic Games said: “The Summer of Unreal is an incredible opportunity that is open to professionals in animation and VFX all across Europe, and we couldn’t be happier to invite the industry to participate. Escape Studios is a wonderful partner who, along with a number of Europe’s best animation schools, are running this programme, which is set to be the biggest Unreal Engine training that we’ve undertaken to date. We’re excited to help all learners find new ways to tell awesome stories and express their creativity using Unreal Engine.”
Saint Walker, Deputy Dean of Escape Studios, said: “The Summer of Unreal is a fantastic opportunity for animation and 3D CGI professionals across Europe to discover more about the cutting-edge technology on offer with Unreal Engine.
“We’ve worked with top animation companies to create a novel animation-centric way of teaching Unreal Engine, in one of the most ambitious training programmes that Escape Studios has been involved with – our vision of a pan-European festival of learning in Unreal Engine has gained us amazing academic partners in the form of some of the best animation schools in the world. We invite learners across Europe to join us. Make your summer staycation Unreal!”
The Summer of Unreal will be taught online in English and is free-of-charge to professionals working in the animation, motion graphics and VFX industry who want an informal group experience of learning Unreal Engine over the holiday period. The course will feature daily workshops covering all the major aspects of using Unreal Engine interspersed with practice time, teamwork, as well as demonstrations and masterclasses from some of Europe’s premiere companies and artists showing how they use the platform in their work.
Mark Spevick, Escape Studios’ Head of 3D VFX will be the main ‘showrunner’ for the Summer of Unreal. The unique role used in Escapes’ larger courses ensures that tutors get to hear and address the most important questions from the online shop floor through Mark’s advocacy. Mark combines teaching and programme design with senior industry experience, having worked at Peerless Camera, the production house co-owned by Terry Gilliam.
Partner quotes
Timothy Leborgne, Head of Talent & Skills Development, The Animation Workshop/VIA University College
“A course such as Summer of Unreal is very welcome. Whether you look at film, animated series, or games we can all see a growing demand for rapid development and competent animators. And Unreal Engine is one particularly advanced tool and software we can’t avoid as professionals in the future. So, I am excited and happy we bring such a valuable course to professionals in our industry. By partnering with such competent institutions and studios across Europe, we have ensured that the course will deliver the best training.”
Gilbert Kiner, President, ARTFX
“Since its creation in 2004, ARTFX has been dedicated to training students using the latest technology and software. Beyond using this engine for our Games courses, Unreal has also been integrated into the previz pipeline for our VFX programs. We are very happy and proud to have been chosen as the exclusive French partner for this collaborative initiative.”
Felix Balbás, Area Director of Animation & VFX at La Salle-URL
“Unreal Engine is a reality we can’t ignore. No longer only in videogames and recently virtual production, now more than ever the future of any visual content creation and in particular animation and VFX, must take this evolution into account. Not only in previs stage, but also in full production. This is why La Salle-URL’s commitment towards promoting state-of-the-art training along with leader institutions at a European level is reflected in the Summer of Unreal.”
Miljana Jovović, Executive Director, Crater Training Center
“We are happy to join the Summer of Unreal as partners for Southeastern Europe, as we see this project as a great chance to upskill and connect professionals across the continent. We have spent the first part of 2021 educating university professors in Serbia in Unreal Engine so they could implement the newly-gained knowledge to their study programs and introduce the software to their students.”
Katja Schmid, Visual Effects and Post Production Professor, Hochschule der Medien
“Many artists in the industry have been waiting for this course. Now the time has come. At the moment, Unreal is one of the most in-demand tools in the industry. The response to the course announcement has been fantastic. It’s just an amazing opportunity not only to get trained for free but also to be part of a most inspiring community! We are very impressed by this large-scale project and excited to be contributing.”
Gareth Lee, Screen Skills Ireland Manager
“Screen Skills Ireland is hugely excited to be part of the Summer of Unreal. This is a unique opportunity for Irish screen sector professionals to learn about the powerful capabilities of Unreal Engine from industry experts, as well as connect with their peers across Europe.”
Latest News
In-App Creatives in iGaming: How to Lower CPI and Scale Campaigns with Moloco Ads
Traffy, a performance marketing agency specializing in in-app traffic, together with Traffy media buyers, prepared this material to share practical insights, testing experience, and scaling strategies in the iGaming vertical.
iGaming Campaign Overview: Scaling Strategy and CPI Optimization
In the gambling vertical, the Traffy team faced a typical growth challenge: how to scale campaigns without losing control over CPI and without sacrificing traffic quality.
The main goal was to reduce CPI while maintaining conversion rates to registration and deposit. Special attention was given to the scaling phase and subsequent campaign relaunches, where performance most often begins to degrade.
Before implementing the new strategy, single-format, unique gameplay creatives were used. While effective initially, this approach started to limit scaling potential as volumes increased.
How to Scale iGaming Campaigns Without Increasing CPI
As advertiser conditions allowed for active scaling, the task was to reduce CPI in order to improve conversions and lower deposit costs on the offer. CPI is unstable when using single-format creatives — it increases when scaling active ad accounts. If you rely on only one format, there is no real optimization, which leads to faster creative burnout and makes it harder to find new references that perform as well as previous ones.
Intraday dynamics were quite illustrative. In the morning, CPI could increase by up to 100%, then partially stabilize by midday, and rise again in the evening, adding around 20–25% to daily values. At the same time, campaigns continued delivering — they didn’t break, but efficiency gradually declined.
The main reason was not classic audience saturation. This was not a typical scale → saturation → CPI growth scenario. The problem was deeper: the single-format approach itself was limiting the algorithm. Creatives burned out faster, and the optimization system became less effective due to the lack of alternative signals.
Format burnout also occurred because there are limited in-app ad intelligence tools, and only a small number of teams have access to them due to their high cost. As a result, the overall pool of proven working creatives is relatively small. When only one creative format is used, it quickly burns out, forcing the search for new references — but often there is nothing left to scale further.
Why Single Creatives Formats Lead to Higher CPI and Instability
During testing, the team reached an important insight: CPI growth and instability were directly linked to using only one type of creative.
In practice, the algorithm was constrained by a single format — it had no ability to redistribute budget or optimization signals. This increased CPI volatility and accelerated burnout.
This understanding came empirically through a series of tests. It also became clear that some formats, such as news-style creatives and playable formats, were underutilized, which limited scaling potential.
Creatives Testing Strategy to Reduce CPI in iGaming Campaigns
The team shifted focus toward creatives diversification.
They decided to run multiple creatives types simultaneously, giving the algorithm more flexibility. Three key formats were introduced:
- interview
- gameplay
- social gameplay

The main share of traffic was allocated to interview creatives (50%) with a CPI of about $8.58, while gameplay accounted for 25% with a CPI of ~ $6.5, and social gameplay — the remaining 25% with a CPI of ~ $10.23 (Moloco Ads).
Scaling was primarily achieved through relaunching campaigns with increased budgets.
The team tested 4 to 6 creatives per campaign with a $250 budget. If performance was strong, the campaign was relaunched with a higher budget, and its behavior was closely monitored.
How campaigns were launched:
If new campaigns included only new creatives, they were kept and scaled alongside existing active campaigns, or relaunched when needed.
Testing was conducted in parallel: different formats were launched simultaneously, and the decision-making cycle took 2–3 days. The primary evaluation metrics were CPI and cost per registration, followed by CPA.
Results: Lower CPI and More Stable Campaign Scaling
Switching to a multi-format strategy delivered a noticeable impact. Previously, overall CPI ranged between $13–18, but after implementing the new approach, it decreased to approximately $8.4.
The key improvement was scalability: campaigns could be scaled without sharp CPI spikes. Although CPI growth with increased volume remains inevitable, it became much more controlled and predictable.
From a performance perspective, different formats showed varying CPI levels. The best result was achieved by social gameplay, while other formats demonstrated higher CPI. However, this did not reduce their importance in scaling.
For scaling, social-style formats and interview creatives performed best. Interview creatives tend to burn out faster, while social gameplay creatives — being bright, visually engaging, and highly informative — scale more effectively.
No format proved to be universally best for growth. All three formats scaled effectively, and their combination gave the algorithm more opportunities for optimization.
Best Practices for Launching and Scaling iGaming Creatives
In practice, the most effective approach is straightforward: launch 4–6 creatives across 2–3 formats (interviews, social approaches) and run them either sequentially or simultaneously, as done at Traffy.
A specific recommendation from a Traffy buyer: use playable elements in the end card — this can significantly reduce CPI. Creating a unique end card for each creative in the same style also lowers CPI and increases engagement with the creative itself.
At the same time, it is important to understand that there are no “dead” formats: over time, any creatives will burn out regardless of their type.
Conclusion: Multi-Format Creatives Strategy for Predictable iGaming Scaling
Creatives format diversification proved to be the key factor for stable scaling. Instead of trying to control CPI within a single format, the team expanded the optimization space. This allowed for better traffic redistribution, slower creative burnout, and reduced performance volatility.
As a result, scaling became not only more efficient but also more predictable — without the sharp CPI spikes typical of single-format strategies.
If you have any questions or would like to apply these strategies to your campaigns, feel free to submit a request via our website or reach out directly at [email protected].
Latest News
5 Platform Features That Only an Operator Would Have Built: Kanggiten’s Perspective
After spending 10+ years running your own casino brands, you develop a very specific frustration with the tools available on the market. You know exactly where the funnel breaks because you’ve watched it break on your own traffic. With your own money at risk.
That point is where the Kanggiten iGaming platform started. What would a platform look like if the people building it had already operated 50+ brands and managed over 3 million players?
It would look different. And it does. Here are five features that reflect that origin.
Modular Architecture with Conversion-Tested Components
Kanggiten is modular by design. Operators choose the components they need, whether that’s a casino engine, sportsbook, CRM, affiliate management, analytics, or game aggregation, and add more as their business grows. No platform migration, no rebuilding infrastructure from scratch. Each module is standalone, yet fully integrated when combined.
First, this removes platform lock-in. An operator can start with a Kanggiten white label iGaming platform setup and expand into a full turnkey model over time without switching providers. Second, every module ships with conversion logic already built in. Registration forms, deposit flows, lobby layouts, bonus mechanics. All of it has been A/B tested on live traffic across real projects.
Operators on the platform have reached registration-to-deposit conversion rates of up to 70% (results vary depending on geo and traffic source). That number comes from systematic UX research, continuous hypothesis testing, and a product team that treats every redundant click as lost revenue.
Retention as a Full Operating System
Nowadays, retention costs less than acquisition and scales more predictably. The harder question is how a platform supports it in practice. Most setups offer a bonus toggle here, a CRM email there. Kanggiten treats retention as a connected system that spans the entire player lifecycle.
That means onboarding sequences, CRM-driven reactivation flows, bonus economics with built-in anti-abuse logic, and weekly engagement mechanics like tournaments, prize wheels, and achievement systems. Layered, tested, and iterated based on live performance data.
Operators on the platform consistently reach retention rates of up to 39%, against an industry benchmark that typically sits between 30% and 35%.
“Retention is a system, not a single feature. It’s built on analytics, testing, and continuous optimization,” – says Ivan Korkin, Head of Account Management at Kanggiten. – “Our focus is on onboarding, CRM flows, bonus economics, and reactivation, because that’s where sustainable growth actually lives.”
Segmentation That Accounts for Geo and Behavior
Grouping players by deposit size or registration date only gets you so far. Kanggiten runs split tests across different traffic types and builds tailored monetization scenarios for each identified segment. The deeper the behavioral model, the more segments emerge. And this directly translates into the more precise revenue impact.
The geo-specific layer adds another dimension. The platform reflects local user behavior from the first interaction, including UI/UX patterns, number formatting conventions, payment preferences, and content expectations. Small details, but they compound.
“For example, in the Turkish market, users expect percentage values displayed before the number. Even that inconsistency can hurt conversion,” – Ivan explains. – “In LATAM, fraudulent registrations are a known issue, so we analyze behavioral patterns in those regions and apply AI-based verification. A localized product and a translated product are two very different things.”
AI Applied Across the Operations Stack
Kanggiten deploys AI only where it produces measurable operational gains:
- fraud detection,
- KYC and identity verification,
- content generation,
- customer support automation,
- cost optimization.
It works across the full stack, reinforcing every other module in the process.
In high-risk geos, AI-based smart verification reduces the burden on support teams and cuts fraud activity without adding friction for legitimate players. In content and support workflows, it accelerates turnaround and lowers cost per interaction.
Over 20 Communication Channels with Built-In Flexibility
It’s not a big secret that your channel reach has a direct impact on revenue. Kanggiten supports more than 20 active touchpoints, including Telegram, social platforms, push notifications, SMS, email, and webhooks. Operators get multiple paths to reach players where they already spend time.
This matters especially in markets where communication methods shift or get restricted without warning. Channel diversity at Kanggiten is part of the core infrastructure. When one path closes, others are already running.
Why It Adds Up
Together, these features make up a platform built around how operators actually work. The same thinking extends across the full ecosystem, including the Kanggiten Affiliate Platform (powered by FireAff) and the Kanggiten CRM & Marketing System (powered by InTarget).
And the industry has started to take notice. In March 2026, Kanggiten was named Best Live Casino Provider at the GamingTECH CEE Awards during the Hipther Prague Summit, an event that brought together 400+ attendees from 35+ countries.
Why? Because every feature was shaped by a team that has run brands, managed players, launched campaigns, and been held to the same KPIs their clients track every morning.
apuestas
Brasil: gobierno prohíbe los mercados de predicción, avanzan las reformas de integridad y crece el debate publicitario
La industria brasileña de apuestas y juegos vivió otra semana decisiva, ya que reguladores, tribunales y operadores privados avanzaron en múltiples frentes, reforzando la rápida transición del país hacia uno de los mercados regulados más observados del sector global del iGaming.
Desde la prohibición de las plataformas de mercados de predicción hasta nuevas medidas contra el amaño de partidos, debates sobre publicidad, campañas de protección al consumidor y una decisión judicial de alto perfil relacionada con la marca Aviator, los acontecimientos reflejan un mercado que entra en una fase más madura y estratégica.
El gobierno prohíbe los mercados de predicción en todo el país
El gobierno federal brasileño anunció oficialmente una prohibición nacional de las plataformas de mercados de predicción, clasificándolas como operaciones de apuestas ilegales bajo la legislación nacional.
Las autoridades señalaron que los sitios web que permiten a los usuarios apostar en elecciones, eventos políticos, resultados económicos, resultados deportivos o situaciones personales no encajan dentro de las formas de apuesta autorizadas en el marco regulado de Brasil.
La medida estuvo acompañada por un video oficial de concientización pública lanzado por el gobierno federal, junto con publicaciones en Instagram advirtiendo que las plataformas de mercados de predicción serían tratadas como operaciones de apuestas ilegales.
Según las autoridades, estas plataformas intentaban posicionarse como productos financieros o de pronóstico, mientras implicaban riesgos comparables al juego tradicional.
El ministro de Hacienda, Dario Durigan, dijo que el objetivo es “evitar la consolidación de un nuevo mercado de apuestas conocido como mercado de predicción”.
Agregó que el segmento había comenzado a presentarse como una herramienta financiera, pero implicaba “potenciales muy similares a los efectos destructivos del juego”.
El gobierno también destacó riesgos como endeudamiento, manipulación de resultados y preocupaciones éticas vinculadas a mercados relacionados con despidos, decisiones políticas, predicciones de muerte o especulación climática.
Como parte de las acciones de fiscalización, las autoridades informaron el bloqueo de:
-28 empresas
– Más de 39.000 sitios web
-203 aplicaciones móviles
-1.665 notificaciones emitidas
-697 cuentas sospechosas cerradas
Las autoridades describieron la medida como una victoria para la protección del consumidor y un esfuerzo más amplio para resguardar las finanzas familiares y el bienestar público.
Brasil se une a la Convención de Macolin y lanza ecosistema de integridad
Al mismo tiempo, Brasil fortaleció su marco de integridad deportiva durante la II Reunión Técnica Nacional de Combate al Amaño de Partidos, celebrada en Brasília.
Durante el evento, el gobierno confirmó la adhesión formal de Brasil a la Convención de Macolin, convirtiéndose en el primer país fuera de Europa en sumarse al tratado internacional centrado en prevenir la manipulación de competiciones deportivas.
El anuncio estuvo acompañado por la publicación de la Ordenanza Interministerial MESP/MF/MJSP N.º 1/2026, que establece lineamientos de gobernanza y acción coordinada entre los Ministerios de Deporte, Hacienda y Justicia en asuntos relacionados con integridad en apuestas y prevención del amaño de partidos.
El Secretario Nacional de Apuestas Deportivas y Desarrollo Económico del Deporte, Giovanni Rocco, dijo: “Hoy el deporte en Brasil está mejor protegido. Empezamos prácticamente desde cero y, en poco tiempo, colocamos el tema en el centro del debate nacional”.
Un punto operativo destacado fue la presentación del Sistema de Análisis de Apuestas Sospechosas, desarrollado por la Policía Federal. La plataforma permite a las autoridades cruzar datos del mercado de apuestas con bases investigativas para detectar actividad sospechosa y patrones de fraude organizado.
El Director General de la Policía Federal, Andrei Augusto Passos Rodrigues, afirmó que la acción integrada entre instituciones era esencial para mejorar la efectividad de la fiscalización.
La reunión también incluyó iniciativas educativas para atletas y categorías juveniles, apoyadas por actores del sector privado y especialistas en integridad.
La representante de UNODC, Elena Abbati, describió el progreso reciente de Brasil como un ejemplo de mejores prácticas internacionales.
Regulador y operadores advierten contra un apagón publicitario
Otro gran tema de la semana fue la política publicitaria.
En un Foro de Políticas Públicas organizado por IAB Brazil en Brasília, funcionarios de la Secretaría de Premios y Apuestas (SPA) y participantes del mercado argumentaron que restricciones excesivas a la publicidad podrían fortalecer involuntariamente a operadores ilegales.
Renato Pucci, Coordinador General de Fiscalización de Apuestas de la SPA, dijo: “El peor camino es restringir la publicidad porque eso pone a operadores legales e ilegales en la misma bolsa”.
Ejecutivos de la industria respaldaron esa visión, advirtiendo que si las marcas licenciadas pierden visibilidad, los consumidores podrían tener dificultades para distinguir operadores regulados de plataformas offshore o no autorizadas.
Algunos ejecutivos describieron el escenario como un “apagón referencial”, en el que los usuarios continúan buscando productos de apuestas pero sin orientación clara hacia opciones legales y cumplidoras.
El debate señala que las autoridades brasileñas podrían seguir un modelo regulatorio más equilibrado que ciertas jurisdicciones europeas que adoptaron prohibiciones publicitarias totales.

Betsul promueve el Juego Responsable en Avenida Paulista
En el frente de interacción con el consumidor, el operador Betsul lanzó una campaña callejera en São Paulo centrada en la concientización sobre Juego Responsable.
La activación tuvo lugar en Avenida Paulista y contó con el influencer y atleta Kleber Bambam como embajador de la marca.
La empresa creó una experiencia de “casino humano” en la que tres participantes actuaban como rodillos vivos de tragamonedas dentro de cabinas mientras los transeúntes interactuaban con el juego.
Si los tres mostraban símbolos iguales al mismo tiempo, el participante recibía un premio.
Mateus Rosa, gerente de Marketing de Betsul, dijo que el objetivo era llevar la conversación sobre Juego Responsable más allá de los entornos digitales hacia una interacción pública real.
“Transformamos la mecánica tradicional del casino en algo humano e impredecible, precisamente para mostrar que el juego debe abordarse con equilibrio”, afirmó.

La Justicia respalda a Aviator Studio en disputa con Spribe
El poder judicial brasileño también emitió una decisión importante para el sector.
El Tribunal de Justicia de São Paulo rechazó los pedidos de Spribe para suspender las operaciones de Aviator Studio Brazil y retirar el juego Aviator del mercado mientras continúa el litigio.
La 2ª Cámara Reservada de Derecho Empresarial confirmó la decisión de primera instancia, concluyendo que no existía riesgo inmediato que justificara medidas urgentes de suspensión.
El tribunal también observó que la titularidad de la marca Aviator sigue en disputa en Brasil y en el exterior.
Según documentos del caso, el juego ha operado comercialmente en Brasil durante años mediante un acuerdo de licencia con Aviator LLC.
La resolución agregó que cualquier eventual daño financiero reclamado por la demandante podría ser compensado posteriormente, reduciendo la necesidad de intervención urgente.
El caso forma parte de una disputa internacional más amplia sobre derechos vinculados a la marca Aviator.
George Pruidze, CEO de Aviator Studio, dijo: “Aviator Studio Brazil permanece totalmente comprometida en apoyar a sus socios y defender la marca AVIATOR siempre que sea necesario”.
Con decisiones de primera y segunda instancia ya vigentes, el juego permanece disponible en Brasil mientras el fondo del litigio sigue su curso judicial.
El mercado entra en fase estratégica
En conjunto, los acontecimientos de la semana muestran a Brasil avanzando simultáneamente en varios frentes críticos: fiscalización regulatoria, integridad deportiva, política publicitaria, educación al consumidor y certeza jurídica comercial.
Para operadores, proveedores e inversores internacionales, el mensaje es cada vez más claro: Brasil ya no es simplemente una oportunidad emergente, sino que se está convirtiendo en uno de los mercados de apuestas más estratégicamente estructurados del mundo.
The post Brasil: gobierno prohíbe los mercados de predicción, avanzan las reformas de integridad y crece el debate publicitario appeared first on Americas iGaming & Sports Betting News.
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