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Can any of the upcoming slots dethrone Starburst in 2021

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Starburst is the video slot created by NetEnt back in 2012. Despite its age, it is still one of the most popular slots currently, and probably the most played video slot game of all time! What makes this classic 5×3 slot so special that is still played by millions today, and can anyone find the secret behind its success, and create the slot which can dethrone Starburst in 2021? We will analyze the facts of what makes Starburst that popular, and take a look at some of the upcoming slot releases from the first quarter of 2021 and try to give an answer to that question. Also, if some of you, by any chance, still haven’t tried this amazing slot, Starburst free play is available. Try it now and see why it is so popular.

 

The Building Blocks behind Starburst Popularity

At first glance, we can see that Starburst’s graphics and design are impeccable. It is still modern, although it is more than eight years old! Although this is just makeup, it is very important for slot longevity.

With the fast evolution of technology and the fact that graphics are becoming more sophisticated, even slots that are only two or three years old can look outdated. After that, their player counts go to the abyss. With Starburst this didn’t happen, and we even believe that it won’t, because graphics are that sophisticated, and yet so simple, that we won’t see a huge dip in their popularity anytime soon.

The second reason behind Starburst slot popularity is its simplicity. Some of the slot game providers experiment with a huge number of reels and rows, many different features, and various cosmetic additions to keep the players entertained and happy. Starburst makes all the things simple, with its classic 5×3 design. Some players argue that Starburst is boring, but it is not a coincidence that the 5×3 design is the most popular slot design ever. It is not too plain and boring, and not too complicated as well, because slot game players want to win some cash, and not feel overwhelmed by design and gameplay.

Starburst has a huge betting range, from €0.01 to €100. That allows both casual players and high-rollers to play this slot. Although high-rollers don’t like this slot very much, because it is not volatile, casuals adore it. There are many more casual players than high-rollers, so they again targeted a broad audience.

We mentioned that Starburst has low volatility and therefore is not that popular with the players who want to win big. However, casuals love to see many small wins, because they have a feeling that they are generally winning, although they actually don’t – the wins you will get will often be smaller than the bet you made, but some of the players somehow don’t notice it. The sessions are usually long if you play for the smallest amounts, so you can have fun, even if you lose money.

For all these reasons, Starburst retained its popularity over the last eight years. Although it is not the best slot in terms of the chances of winning big, all the reasons we mentioned make it appealing for most players, which happen to be casuals.

We will now take a look at some of the upcoming slot releases and try to guess whether or not they have a chance for dethroning Starburst.

 

The Most Anticipated Slot Releases 2021

January is not over yet, and we already got some exciting slots this year. For example, we got an exciting video slot from Gamomat, an independent slot game provider, called Crystal Strike. It is a highly volatile slot, beautifully designed, with classic features such as respins and wilds.

Nolimit City released San Quentin xWays. This slot is based on the infamous US jail, which is a theme that wasn’t widely used, so it can be hit or miss, but we expect to be popular, especially among the younger audience.

iSoftBet, another award-winning games supplier, released Mighty Stallion Hold & Win, the Wild West theme-based video slot. It is another slot that uses their Hold & Win mechanic, but the theme is not inventive, nor the slot itself is offering something new – it is basically the type of slot we get from them all the time, only with a slightly altered theme.

Play’n GO released Miner Donkey Trouble, while Pragmatic released Mysterious Egypt. These slots feel like they were already seen before, and there is no chance that slots that use the same, boring theme, such as the Ancient Egypt flourish and dethrone Starburst.

Pragmatic Gaming has a more interesting release scheduled for February – Dragon Kingdom: Eyes of Fire. This slot should be way better and way more popular than Mysterious Egypt because it has a flawless design and many features attached. Dragons are still a popular topic, and they aren’t overused in video slots such as Ancient Egypt, so we can see this release gaining popularity right off the bat.

Another highly anticipated release should be the Playtech Age of the Gods series’s next release – Book of Oracle. This slot should be the first to come from Playtech in 2021, and they decided to go big right away. Age of the Gods series gained a significant amount of players which is getting bigger with every new slot release. We expect that this slot will be masterfully done in terms of the graphics and interface (since we still didn’t have an opportunity to see it), and the features should be similar to the ones from the previous slots. This is a volatile, progressive jackpot slot, so it will draw attention from the high-rollers.

 

What Features Should a Slot Have to Beat Starburst

Since we know what is behind Starburst’s popularity, and we saw what the first slot releases are in January 2021, the question arises – does any slot from this list have the features and traits required to dethrone Starburst? We can never know for sure, but the answer is probably – no.

To be as popular as Starburst, the audience must be predominantly casual players. There are some amazing, volatile slots you can make a fortune on, but there are not enough people who would risk big money to try it out. Long, interesting sessions, with lots of small wins, which give you the false impression that you are an overall winner, are the key to the slot popularity.

After that, the slot must have an impeccable design that will age well, so it can stay relevant with time, and must have simple, but yet unique and interesting features. You should overcomplicate, but the slot can’t have a dull theme or average graphics.

 

Summary

We eagerly expect more great slot releases in 2021. In January and February, we should get several amazing slots from the biggest slot games providers, but in terms of popularity, we don’t think that any slot will be able to dethrone Starburst anytime soon.

However, that doesn’t mean you shouldn’t try out new slot additions, especially if you are a high-roller. There is a trend of more progressive jackpots, mega ways, and other great features incorporated in new slot releases, and in general, it seems that the average volatility is getting higher, which is excellent news for the ones chasing big wins.

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Movers and Shakers: The blueprint for boutique studios looking to crack America

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“Movers and Shakers” is a dynamic monthly column dedicated to exploring the latest trends, developments, and influential voices in the iGaming industry. Powered by GameOn and supported by HIPTHER, this op-ed series delves into the key players, emerging technologies, and regulatory changes shaping the future of online gaming. Each month, industry experts offer their insights and perspectives, providing readers with in-depth analysis and thought-provoking commentary on what’s driving the iGaming world forward. Whether you’re a seasoned professional or new to the scene, “Movers and Shakers” is your go-to source for staying ahead in the rapidly evolving iGaming landscape. 

Charles Mott, Founder and CEO of S Gaming, says finding success in the US is a tough task, but that studios who can replicate the magic of the casino floor have what it takes to make it stateside

 

There are plenty of European studios that have set their sights on finding success in the US, but very few have actually managed to achieve it. This is because they are making a common mistake, and that’s failing to translate the preferences of US slot players into their games.

For more than a decade now, the UK and European markets have been defined by “the chase” – high volatility slots with massive, infrequent max wins and jackpots that deliver anticipation and thrills, but that also exhaust the player’s balance in minutes.

But if you walk on to the floor of any Las Vegas casino, the atmosphere is different. It’s about “time at machine”. It’s the neon, the regular dopamine hits of smaller wins and the ability to make $100 provide an entire evening’s worth of entertainment.

As the US market increasingly moves to online, with more states embracing regulated iGaming, it’s no longer finding its feet with players now actively looking for a digital version of the land-based soul they have loved for many years.

Moving away from the “big win” to the “long session”

US players have been culturally conditioned by the physical casino experience. Unlike the high-stakes digital environment of Europe, the American player often views slots as a leisure activity rather than a jackpot hunt.

This is why S Gaming has focused on fun, entertainment and sustainability, with our games matching the “steady tortoise” cadence of land-based slot machines. They still deliver lots of big win potential, but across longer and more engaging sessions.

For operators like BetMGM and Fanatics, both of which we’ve recently partnered with, it’s not just about fun, it’s about retention.

A player who loses their balance in three minutes is a churn risk, but a player who wins small, frequent prizes stays in the ecosystem for longer and ultimately generates a much higher lifetime value.

Efficiency over ego

But it’s not just about having the right games, distribution is also key to cracking America. This is a notoriously difficult market because it’s not one jurisdiction, it’s five (and counting) regulatory islands and in each, you need to secure regulatory approvals.

This is actually a moat that keeps many smaller studios out. It’s an issue we had to overcome, and ultimately looked for a partner that could help us bridge the gap. Our agreement with Gaming Realms allows us to use its remote game server and licences to launch into US states.

This “Infrastructure-as-a-Service” model allows a studio to focus on “game grammar” (math and art) while the partner handles the “plumbing” (compliance and connectivity). It’s the leanest way to hit the ground running with a tier-one operator across multiple states simultaneously.

Why tier ones are buying in

You might be wondering why a tier one giant like BetMGM has joined forces with a boutique UK studio and facilitated its launch into the US.

But the reality is that operators are fighting soaring acquisition costs right now and this means they no longer want more games, they want differentiated games that reduce churn and keep players coming back for more.

Our focus on sustainable entertainment aligns with current US regulatory requirements and the focus on responsible gaming. Games designed for longer, lower stakes sessions are inherently “safer” and more palatable to regulators and risk-averse operators alike.

And they just hit the mark more with players. Sure, winning is a big part of playing online slots, but how you get to the win and the perceived entertainment value is now just as if not more so important – not just in the US but in the UK and Europe, too.

The data-driven evolution

Success does not come from a single launch – it comes from having a feedback loop. We now have a handful of games live in the US market, including our flagship Triple 7 Jackpot title, from which we are gathering real-time data on player behaviour.

This is allowing us to move from “what we think players want” to “what the data tells us they love” and this in turn is allowing us to refine our product roadmap and the games we are producing for the US market, ensuring each title is more culturally resonant than the last.

The new era of transatlantic growth

Cracking America in 2026 isn’t about having the loudest brand of the biggest marketing budget – it’s about understanding the psychology of the casino floor.

The studio’s that succeed will be those that realise the US player isn’t looking for a new way to gamble, they’re looking for a digital version of the “Vegas” feeling they’ve known and loved for decades.

The post Movers and Shakers: The blueprint for boutique studios looking to crack America appeared first on Americas iGaming & Sports Betting News.

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When Africa gambles: seasonality patterns across five countries revealed by Blask

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When Africa Gambles: Seasonality Patterns Across Five Markets Revealed by Blask , Nigeria, Tanzania, Kenya, the Democratic Republic of the Congo, and Egypt operate under diverse regulatory regimes and follow different domestic sports calendars — Egypt also observes a Friday–Saturday weekend. Yet, across these markets, gambling activity exhibits a shared rhythm: engagement climbs into Q4 and remains elevated through the year-end, with softer periods either mid-year (Nigeria, Tanzania, Kenya, DR Congo) or late winter (Egypt). Peaks broadly coincide with the European club season, while in some markets domestic leagues run in parallel.

Blask’s Seasonality feature, drawing on data from January 2016 to February 2026, allows mapping engagement by month, day, and hour, revealing nuanced patterns in each market:

Nigeria: The Long Saturday

  • Annual curve accelerates into Q4: October is the top month, followed closely by September, November, and December. June marks the low point, with a modest rebound in July before the late-summer climb.

  • Weekly cycle is weekend-led: Saturday dominates, Sunday and Friday show smaller peaks, weekdays are quieter.

  • Hourly pattern forms a broad plateau on Saturday, with elevated activity from early morning to late evening (5am–9pm Lagos time). Weekday engagement is lower, concentrating in the late afternoon and evening.

Tanzania: Saturday as a Corridor

  • Annual rhythm mirrors Nigeria: softening in June–July, rising from August into a Q4 plateau. Top months are November–December, with October close behind.

  • Weekly cycle hierarchy is clearer: Saturday is strongest, Sunday elevated but lower, Friday leads weekday peaks.

  • Saturday functions as a corridor rather than a sharp spike: activity stays high from 7am–11pm Dar es Salaam time, peaking mid-afternoon to early evening (3pm–7pm). Weekday activity tilts toward evening post-work.

Kenya: Two Clocks in One Market

  • Annual curve rises from August into Q4, with December at the peak, October and November following. Low points in June–July.

  • Weekly peaks favor the weekend: Saturday #1, Sunday #2.

  • Hourly pattern shows dual peaks: a primary late-afternoon to evening spike (3pm–9pm Nairobi time) and a secondary pre-dawn rise (3am–7am), particularly visible on weekends.

DR Congo: The Morning Market

  • January remains unusually strong alongside December, which is the top month.

  • Weekly cycle follows the familiar weekend pattern: Saturday leads, weekend days generally brighter.

  • Hourly peak occurs in the morning, roughly 5am–9am Kinshasa time, shifting an hour later in eastern regions. Weekdays maintain the morning lift, with Saturday adding extra intensity.

Egypt: Friday Leadership and After-Midnight Play

  • Annual curve climbs steadily to year-end: December tops, followed by November and October. Softest periods are February and March.

  • Weekly cycle differs: Friday peaks, Thursday and Saturday slightly behind, reflecting Egypt’s Friday–Saturday weekend.

  • Nighttime engagement is strongest in the group, concentrating after midnight (2am–5am Cairo time), consistently across all days of the week.

The Bigger Picture

  • Q4 is peak season across all five markets. Nigeria peaks earliest (October), while Tanzania, Kenya, DR Congo, and Egypt maintain high engagement through November–December. Four markets soften mid-year, Egypt peaks late winter.

  • Weekend structures explain weekly splits: Saturday for Nigeria, Tanzania, Kenya, DR Congo; Friday for Egypt.

  • Hourly patterns diverge: Nigeria and Tanzania show broad Saturday blocks, Kenya focuses on prime time with pre-dawn tails, DR Congo peaks in the morning, Egypt peaks after midnight. Cross-market scheduling without these insights risks missing most demand.

The post When Africa gambles: seasonality patterns across five countries revealed by Blask appeared first on Eastern European Gaming | Global iGaming & Tech Intelligence Hub.

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Groove Targets Africa’s iGaming Boom at SiGMA Cape Town 2026

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Groove Targets Africa’s iGaming Boom at SiGMA Cape Town 2026 , Groove, the defiantly innovative iGaming platform and aggregator, has confirmed its attendance at next week’s SiGMA Africa Summit in Cape Town, signalling the company’s intent to establish a strong presence in the world’s fastest-growing iGaming market.

Africa’s iGaming sector is expanding at unprecedented speed, and Groove is entering not as a spectator, but as a builder, bringing its signature “Unseen Architecture” approach to scalable, compliance-ready aggregation, combined with a commitment to listening before acting.

Leading the company’s presence at the summit will be Yahale Meltzer, Founder and CEO of Groove, whose vision for the continent extends far beyond content delivery.

“Africa is not an emerging market,” Meltzer said. “It is an emerging universe. You feel it in the numbers, the youngest population on earth, mobile engagement that bypasses desktop entirely, fintech leapfrogging traditional banking in ways the West is only beginning to understand. This is not a place where you parachute in with a European playbook and hope it lands. This is a place that demands listening, adaptation, and genuine partnership.”

At Groove, the founding philosophy has always been about rhythm — the pulse that connects operators, providers, and players in sync with seamless iGaming experiences. Africa’s rhythm, Meltzer notes, is distinct.

“It’s mobile-first, payment-adaptive, and hungry for experiences that feel local, not imported. That’s exactly the kind of challenge our architecture was built to solve.”

The structural advantages driving Africa’s iGaming growth are considerable. The median age in multiple key markets is under twenty, smartphone adoption is climbing rapidly, and over ninety percent of iGaming interactions now occur via mobile, bypassing desktop entirely. Fintech integration, through systems like M-Pesa, has brought millions of previously unbanked players into the ecosystem. Regulatory frameworks are also maturing in markets including Nigeria, Kenya, and South Africa, offering licensed operators clearer paths to compliance.

For an aggregator like Groove, whose platform delivers over 15,000 games from 150+ providers via a single API, these conditions represent not just opportunity, but alignment.

Groove’s presence in Cape Town is built around four core objectives. First, forging meaningful operator partnerships. The summit gathers Africa’s most ambitious operators alongside global players seeking regional entry, and Groove will showcase localised content packages, mobile-optimised experiences, and payment-agnostic infrastructure designed for African realities.

Second, deepening regional intelligence. Meltzer emphasises: “The regulatory picture in Africa is not a monolith. What works in Lagos requires adaptation in Nairobi, and something entirely different in Johannesburg. You don’t learn those nuances just from a report, even with Groove Command, our data-driven game matching system. You learn them by sitting in the room with the people who live them.”

Third, offering African operators clear pathways to growth. Fourth, positioning for the long term: attendance at SiGMA Africa is not a checkbox exercise — it signals that Groove views the continent as integral to its global strategy.

“We’re not coming to Cape Town to hand out brochures and fly home,” Meltzer said. “We’re coming to listen, to learn, and to find the partners who see what we see: a region on the cusp of something extraordinary. Groove’s job is to provide the infrastructure and games that turn that ‘something’ into sustainable, thrilling player experiences, whether that’s in Lagos, Nairobi, Johannesburg, or beyond.”

He added: “Africa’s rhythm is rising. We’re here to Groove with it.”

The post Groove Targets Africa’s iGaming Boom at SiGMA Cape Town 2026 appeared first on Eastern European Gaming | Global iGaming & Tech Intelligence Hub.

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