Uncategorized
SkillOnNet Rolls Out 1X2 Network Content in Ontario
SkillOnNet extends 1X2 Network partnership into Ontario
Global gaming brand SkillOnNet has unleashed content onto its Ontario network from Iron Dog Studio, Prospect Gaming, AD LUNAM and 1X2gaming, studios under the umbrella of the UK-based online casino software giant 1X2 Network.
Ontarians are now able to enjoy 1X2 Network’s unique portfolio of casino titles, on SkillOnNet’s Ontario brands like PlayOJO, SlotsMagic, SpinGenie and KnightsSlots.
These include hot new Prospect Gaming and Iron Dog Studio content like the Arriba Heat series, Mr Porky Banker, and 1X2’s own Prospector Wilds series, as well as popular classics like Megaways Jack, Aztec Secrets and Book of Merlin.
The deal is an extension of the existing partnership between the two gaming powerhouses which has proved fruitful in other jurisdictions across the world. It also extends 1X2 Network’s presence in Ontario, having first launched its content in the provincial market in September 2022.
Both companies have grown their global footprints significantly over the past few years and now have a localised presence in multiple regulated international markets. SkillOnNet operates more than 30 online casinos in numerous jurisdictions across the globe, while providing turnkey solutions to top brands worldwide.
The deal will further bolster the SkillOnNet platform in Ontario, which offers an incredible selection of third-party games from the biggest casino software providers in the world.
Jani Kontturi at SkillOnNet said: “1X2 Network is an iGaming pioneer whose phenomenal output over the past two decades has been an example to us all. They’re a trusted partner, and we’re glad we can help to grow their presence in Ontario. We hope to be entering new regulated markets as partners for years to come.”
Christopher Reid at 1X2 Network said: “SkillOnNet is behind some of the biggest brands in iGaming, and together our partnership makes us both a powerful force in the industry. Thanks to SkillOnNet’s tirelessly global outlook, our games are always reaching a wider audience.”
Uncategorized
23red and GamCare unveil New Campaign which Brings the Hidden Feelings of Gambling Harm to Life

Reading Time: 2 minutes
Purpose-led creative agency 23red, part of CapGemini and UK charity GamCare have launched a new year-round digital campaign designed to help people recognise the often-invisible feelings associated with gambling harms and encourage people to seek support sooner, as needed.
Running across multiple digital platforms, the adverts target men aged 18–44 and people affected by the gambling of their loved ones, who are often women, and who often play a central role in family wellbeing, to take that first step to seeking support.
The campaign includes 30-, 15- and 6-second creatives in standard formats, with a major burst planned for the New Year, one of the busiest times of year in terms of people contacting the Helpline.
At its heart is a striking new 30-second film that uses metaphorical visual storytelling to bring to life the intense emotions people can experience when gambling takes control—feelings of being stuck, feeling trapped and a sense of being tied in knots by gambling.
Tristan Cavanagh, Creative Director at 23red comments: “Unhealthy gambling habits are often hidden in plain sight. We set out to create something people who are experiencing gambling harms instantly recognise and feel rather than just watch, with visuals that mirror the quiet chaos inside someone’s head. Our aim was to cut through the usual tropes and deliver a piece that resonates emotionally, prompting conversations before harm escalates”.
Victoria Corbishley, Chief Executive Officer at GamCare comments: “Our new creative visualises the inner turmoil that people experiencing gambling harms can feel. It’s a fresh approach that we hope helps people in need, whether they gamble themselves or care about someone who does. We hope they will see those signs and reach out sooner for support.”
The new GamCare campaign underscores that gambling harm doesn’t always look how you expect. It can affect colleagues, partners, friends, or family members who seem “on top of it,” and it can escalate quietly until it touches every part of life.
GamCare’s services are free and confidential, non-judgemental help is available 24/7, 365 days a year from trained advisers.
The post 23red and GamCare unveil New Campaign which Brings the Hidden Feelings of Gambling Harm to Life appeared first on European Gaming Industry News.
Uncategorized
Boomerang Partners merges creativity and marketing at SBC Summit Lisbon: Nick Chichagov on the vision behind the performance

Reading Time: 5 minutes
The September SBC Summit in Lisbon was one of the most notable events for Boomerang Partners. The affiliate gambling & betting marketing agency presented its client portfolio and won two prestigious SBC Awards: ‘Social Media Campaign of the Year’ and ‘Rising Star in Sports Betting’ (Operator).
The company’s booth became a central hub for exhibition attendees, with over 1,500 people visiting it. They were able to learn about the new sports traffic tournament, the Golden Boomerang League and took part in a raffle for sports memorabilia from Rafael Nadal, Cristiano Ronaldo, Tyson Fury, and Fernando Alonso. One of the most impressive activities at the Boomerang Partners booth were unique live artist performances. In doing so, the company effectively married marketing and art for the first time at the iGaming event. These quaint performances have all the potential to become a new trend in the industry.
The creative producer and director of the Boomerang Effect performances at the Boomerang Partners booth was Nick Chichagov. In an interview, he discussed the origin of the project’s idea, the essence of the performances, and where he draws inspiration from.
1 How did the idea for this performance come about? Did something unusual inspire you to create something so out of the box?
When I start working on a performance, I always look for an initial hook. Here, it was the crowd. Inspired by photographers like Alexey Titarenko and his City of Shadows series, I explored the idea of people as ghostlike figures without identity. Later, references to René Magritte’s Son of Man helped sharpen the concept.
Music also guided me — a line from a Tool song, “to bring the pieces back together, rediscover communication,” became a key reference point. Contemporary dance emerged as the ideal form. I wanted to include a simple yet powerful moment where two people just stand and look at each other. Step by step, the puzzle came together.
2 If you had to describe this performance in a few words, what would they be?
For me personally, it is about uniting, immersing into communication, and becoming one – transitioning from disparate parts into a single, cohesive whole. The entire performance is a metaphor for separate atoms, individual people, and distinct fragments ultimately uniting as one under the company’s brand.
3 Tell us about the concept behind the production — what was the main idea or message for you?
The concept of the performance was that six agents of Boomerang Partners – each with their own character, state of mind, and attitude toward themselves, others, and the audience – venture out into the crowd. Their mission is to study communication, understand themselves, and bring meaning to people, guiding them to a place they’ve been waiting for under the Boomerang Partners brand, which helps people realize their potential.
During the main performance, the artists showcase the company’s themes – boxing, racing, football – through movement and dance. At the end, their gray masks are removed to reveal vibrant, individual identities, still tied to the brand. The core message: people often feel lost, but Boomerang Partners shows them the right path through its lens.
4 What were the most interesting or challenging moments during the rehearsal process? Can you share any behind-the-scenes stories from the preparation?
The most interesting part was the entire process of working with the team. As a director, I found it interesting to give the performers some creative space. For instance, each performer had their own character, and I provided them with a list of 10 traits to define it. Within that framework, they also invented different emotional states and variations.
The work was challenging, though. The third act was particularly difficult because we built its final choreography piece by piece. All the references we found were entirely off the mark. We didn’t want to just literally depict a sport; we wanted to convey it through imagery.
This is how we built the first act: the artists study themselves and their characters. Then, they interact with each other in the second act. Finally, the third act is where the artists unite into a single whole, representing the company’s diverse directions, and they rip off their masks to reveal the vibrant individuality that blossomed under the brand’s auspices.
5 Were there any funny or unexpected stories while working on the performance?
I wouldn’t say there were any truly unexpected moments in terms of the performance’s preparation. But there were certainly funny ones. For instance, when we were trying to incorporate football, racing, or boxing into the performance, we’d choreograph and plan how to best execute it. Sometimes, when we tried it out, the result was quite humorous because it came off as rather cartoonish. That’s exactly what prompted us to rework some choreography segments, taking certain details we found interesting to work with, instead of relying on overused, standard clichés.
Another amusing element was our permanent audience member. A cat would come to almost every single rehearsal and watch the entire process of us putting the performances together with great attention. I think it only missed one or two rehearsals; it was always there, observing very, very intently what was happening and why.
6 In your opinion, which elements were key to the success of this show?
I believe the show’s success was a result of a complete team effort. We put in an enormous amount of work and conducted countless rehearsals. We had incredibly talented artists, and I feel all the looks we created were a perfect, 100% match for the original references I had in my mind. Ultimately, I believe the performance we delivered was successful, first and foremost, thanks to the entire team.
Watch the full version of the Performance Show on YouTube — Boomerang Partners.
About Boomerang
Boomerang Partners is a rapidly growing global marketing agency offering a wide range of services. Boomerang Partners is the Official Regional Partner of AC Milan. In 2024, it launched the inaugural Golden Boomerang Awards — a global tournament for affiliate teams. More than 400 affiliate teams participated in the second season of the tournament in 2025. Boomerang launched six new products in 2024-2025, contributing to a nearly 1.5-fold increase in product users.
The agency’s client portfolio contains 13+ brands offering affiliate and entertainment services across 40+ markets in compliance with local regulations. These products provide personalized bonuses and 24/7 multilingual support.
About Nick Chichagov
With over five years of experience, Nick Chichagov crafts innovative projects at the intersection of theater, cinema, and immersive art. His portfolio includes collaborations with actors from the Royal Shakespeare Theatre, direction of performances featuring international artist ensembles, and work on music videos for prominent acts such as Vlady and AVOKARU.
The post Boomerang Partners merges creativity and marketing at SBC Summit Lisbon: Nick Chichagov on the vision behind the performance appeared first on European Gaming Industry News.
Uncategorized
Project Management as a Way of Life

Reading Time: 2 minutes
“Give me six hours to chop down a tree, and I will spend the first four sharpening the axe.” — Abraham Lincoln
In projects, as in life, preparation and strategy are everything. The right plan, the right steps, and the right mindset turn potential chaos into results.
Meet Andrii, a Project Manager at DreamPlay, where he applies this philosophy every day. From coordinating teams to managing dozens of successful casino game projects, Andrii’s approach transforms planning into a way of life, not just a job. He never relies on luck — he focuses on process, structure, and bringing complex ideas to life.
Project Thinking in Everyday Life
A few months ago, Andrii’s friend from the construction industry reached out to him. Not for help — just to vent. The project was literally falling apart: deadlines were burning, people were quitting, and the remaining team was at the limit.
Andrii listened and instantly switched into the familiar “Project Manager mode.” He didn’t jump into the chaos but began structuring it step by step. First — prioritizing, identifying key tasks, assigning roles. Then — communication: short calls, clear instructions, a mini-task flow so everyone knew what to do and when.
By the third day, a well-oiled system emerged from complete disorder: thirty people worked as a single mechanism, tasks moved according to plan, and the project was back on track.
Even in such chaotic situations, the structured approach of a Project Manager works, turning tangled processes into a manageable system.
Question: What work should never be assigned to a Project Manager?
Andrii’s Answer: “Of course, a Project Manager can handle any task — and often does.
But their effectiveness lies not in completing specific tasks, but in organizing the process so that all tasks get done. Therefore, it’s better not to assign a Project Manager work unrelated to management or process structuring.Of course, in real work we sometimes do both — organize and execute — but the main focus should always remain on the process.”
Pride in His Work
Currently, Andrii oversees several projects, coordinating teams and processes, and actively participates in the development of many successful and creative games.
Among all of them, his favorite — and the one he dedicated the most time to — is Fun`n Games.
Andrii says:
“Fun`n Games is a project I had the opportunity to participate in and the one I’m most proud of.”
Funn Games features the Colossal Proton wheel, a dynamic mechanic offering multiple ways to win, enhanced by exciting sound effects. The game includes a bonus round with additional elements (11 in the base game, 16 in the bonus) and a buy-bonus feature to purchase free spins. Combined with DreamPlay’s patented visuals and interactive design, Funn Games maximizes engagement and makes gameplay thrilling, giving players a chance to feel the excitement and test their luck against the wheel.
You can explore Andrii’s games and creations at https://pin-up.world/ru/casino/provider/dreamplay.
You can also visit Andrii’s LinkedIn profile https://www.linkedin.com/in/mahinich/, where he shares his latest interviews, thoughts on his work, and plans for the future as a Project Manager.
The post Project Management as a Way of Life appeared first on European Gaming Industry News.
-
Amusnet6 days ago
Amusnet Announces Strategic Partnership with Mr Bit
-
Andrew Rhodes6 days ago
UKGC Publishes Second Annual Report from Gambling Survey for Great Britain
-
Balkans6 days ago
Mr Bit Casino Enters Bosnia and Herzegovina with SYNOT’s Extended Portfolio on Board
-
Belatra6 days ago
Week 40/2025 slot games releases
-
Central Europe7 days ago
SOFTSWISS Sets the Stage for 2026 iGaming Trends at SiGMA Central Europe 2025
-
Uncategorized6 days ago
The Draft for Promotion and Regulation of Online Gaming Rules, 2025 – India’s esports leaders welcome clear framework for growth of industry
-
Compliance Updates6 days ago
EGBA Welcomes Approval of European Standard on Markers of Harm
-
Africa3 days ago
SportPesa Goes Pink for 2025 October Breast Cancer Awareness Month