Connect with us

Gaming

Veloce Racing bow out of Island X Prix after pacey Sardinia outing

Published

on

Reading Time: 3 minutes

 

Extreme E team show strong speed in penultimate round of the season but ultimately fail to reach the final following spectacular crash for Sarrazin 

Veloce Racing’s hopes of a second Extreme E podium were extinguished at the Island X Prix in Sardinia following a dramatic barrel roll in the aptly named ‘Crazy Race’.

The London-based squad arrived in Italy with high hopes following the team’s efforts to the reach the final in Greenland, which ultimately fell short during Stéphane Sarrazin’s spirited excursion through the infamous ‘Rock Garden’.

Veloce got off to a strong start in Sardinia when Sarrazin and team-mate Emma Gilmour topped the timesheets in the initial practice runs and eventually finished third in the session.

Qualifying

Qualifying 1 in Sardinia was arguably the team’s most competitive outing of the inaugural Extreme E season. Calm and committed runs from both Gilmour and Sarrazin saw the duo finish an impressive third just 18 seconds adrift of pacesetters X44.

The team carried this momentum into the second qualifying session of the day and looked on course for another promising result as Sarrazin kept pace with X44 during the early stages of his run.

It was not to be, however, with the ODYSSEY 21’s front suspension failing during the course’s unforgiving second sector, forcing Sarrazin to grind to a halt and slip out of contention.

The disastrous Qualifying 2 run meant that Veloce Racing was eighth overall – just three points shy of second place, highlighting the volatility of the Island X Prix – and would take part in the Crazy Race on Sunday.

The Crazy Race

As the lights went out for the Crazy Race, Gilmour’s lightning-quick reactions weren’t enough to withstand the advances of Kevin Hansen in the JBXE car who capitalised taking the optimum route.

The New Zealander seized the initiative and switched lanes, trying an alternate line to gain the advantage into the first gate. Unfortunately, it didn’t pay off and the Veloce Racing car slipped into third position.

Gilmour handed the reigns over to Sarrazin hot on the heels of Christine GZ. The Frenchman immediately began applying the pressure to the Italian, and it paid off as the second-place car pulled over with mechanical gremlins releasing Sarrazin to hunt down JBXE.

The attack was short-lived, however, as Sarrazin hit a dip and fired the back of the car up into the air, pitching the ODYSSEY 21 into a spectacular barrel roll. Mercifully, Sarrazin emerged from the wreckage unscathed, but the team’s aims of a second Extreme E podium were over.

As a result of the crash, the Veloce Racing ODYSSEY 21’s chassis was compromised and subsequently, the team are unable to take part in next week’s Extreme E damper test and rookie test.

Stéphane Sarrazin, Extreme E Driver, Veloce Racing said: “It was a crazy race. I did my best to catch the JBXE car, the team were keeping me updated on the time difference and I was catching.

We knew we had to win to get to the final so we had to push. I attacked one of the compressions straight instead of side on and unfortunately the car rolled. I’m disappointed for the whole team as we really had the pace to be at the front this weekend.

Emma Gilmour, Extreme E Driver, Veloce Racing said: “Absolutely gutted. Stéphane and I had such good pace this weekend and to end up in the Crazy Race was really disappointing to start with.

“Personally, I’m disappointed I didn’t get a better start, from then on we were struggling with the dust and I handed over to Stéphane in P3. He did a great job to get past Christine GZ but got caught out in the rough stuff so glad he’s OK but just really sad for the team as we had good pace this weekend and it started so positively.”

Daniel Bailey, CEO, Veloce Racing added: “Despite the setbacks we faced at the Island X Prix, I think there are a lot of positives that Veloce Racing can take away from Sardinia. Pace-wise, this was our most competitive outing so far.

“We were fast in practice setting the pace early on and ending up P3 and we followed that up with another P3 in Qualifying 1. We got unlucky in Qualifying 2 and in the Crazy Race but this is motorsport and these things happen. I think we’ll come away from this weekend as a stronger team and we’ll aim to finish on a high note in Dorset in December.”

Jean-Eric Vergne, Co-Founder, Veloce Racing commented: “The most important thing was to see that Stéphane [Sarrazin] is out of the car and seems OK. It’s a shame because Emma [Gilmour] did a great job to hand the car over within the 25-second range that we wanted. Stéphane knew he had to push very hard to get it done at the end of the race so it’s unfortunate.”

Now, the St. Helena – Extreme E’s floating paddock – makes the trip to Dorset, England (18-19 December) where the inaugural Extreme E season will reach its dramatic conclusion.

Powered by WPeMatico

Continue Reading
Advertisement

Exprexion

Flexion Launches Mobile Service Suite Exprexion

Published

on

flexion-launches-mobile-service-suite-exprexion

 

Games marketing company Flexion has announced the launch of Exprexion. This integrated suite of services provides game developers with a single point of entry to alternative app stores, creator-led marketing and direct-to-consumer sales.

The mobile gaming industry is entering a new era. After years of market domination by Google and Apple, game studios are looking for ways to be in command of their own destiny. High store taxes and rising acquisition costs have squeezed profits for too long. The Exprexion suite of services gives developers the freedom to innovate in market engagement and express their ideas directly to users, moving beyond the traditional constraints of the major app stores.

The Exprexion suite consists of three core services:

Exprexion Markets: This service manages all the technical and operational requirements of distributing games on alternative platforms including Amazon, Samsung, Huawei, Xiaomi and ONEstore. Flexion handles everything from integration to platform relations, typically adding more than 10% in incremental revenue. By taking on these tasks, Flexion reduces upfront and operational costs for developers while reducing risk.

Exprexion Creators: This service focuses on influencer-led marketing and social media strategy. By managing the creative process and relationships with influencers, Flexion helps studios find high-value players who engage with games through organic interest. This approach allows developers to reach bigger audiences through broader market channels and innovative user acquisition.

Exprexion Direct: This service enables developers to sell to their players no matter where those players are. By moving transactions outside of the major app stores, studios can make better margins and reclaim the 30% fee typically charged by platform owners. The service uses proven payment technology from trusted suppliers, like Xsolla, to ensure the buying experience remains smooth.

“The mobile industry has reached a point where the old methods of finding and monetizing players are no longer sustainable for many game studios. For years, developers accepted high fees and limited data access as the cost of doing business. Now, the emergence of a more open market and the shift toward direct-to-consumer relationships have changed the math. We launched Exprexion because the market is finally in a place where developers can feasibly run their own stores and distribution networks without the massive operational overhead that used to hold them back,” said Jens Lauritzson, CEO and Founder of Flexion.

Flexion’s technology, people and expertise are unique in the mobile market. The Exprexion services are fully integrated with one another, meaning each service perfectly complements the others. They can be combined seamlessly or used in any combination to generate profit and grow audiences bigger than ever before.

Flexion currently manages 37 top-grossing games. Four of these titles have reached the Top 10 grossing charts on Google Play. By providing a decentralised path to growth, Exprexion serves as a vehicle for a studio’s financial freedom.

The post Flexion Launches Mobile Service Suite Exprexion appeared first on Eastern European Gaming | Global iGaming & Tech Intelligence Hub.

Continue Reading

Funding

EasyWin closes second seed round at $20m valuation

Published

on

easywin-closes-second-seed-round-at-$20m-valuation

Real-money casual puzzle tournament startup says an EU private investor backed the April 2026 round.

EasyWin, a U.S.-based real-money gaming startup, said it has closed its second seed funding round at a $20 million valuation. The company announced the round in April 2026 and said it was backed by a private investor from the European Union.

The company previously closed its first seed round in December 2025 at a $15.5 million valuation. That round included funding from Velo Partners, Vladimir Nikolsky and several private angel investors.

EasyWin was founded by Ivan Leshkevich, a former executive at mobile game publisher and developer Mamboo Entertainment. The startup, which currently has a team of eight, says it has built a global tournament platform for casual puzzle games with cash prizes and operates across major markets.

Since launching in 2025, EasyWin reported 25% month-over-month growth in user spending and a 4.9 average user rating. It also said it has expanded into 12 countries with localized legal opinions and payment infrastructure, received PayPal approval for its MCC, and completed payments-stack integrations with global providers.

The company also said it has obtained GLI certification “confirming compliance with U.S. regulations for skill-based gaming products.” Leshkevich said: “In the long term, we aim to become a leading global skill-based gaming platform. To achieve this, we focus on a strong product USP and new AI-based dev tools.”

The post EasyWin closes second seed round at $20m valuation appeared first on Eastern European Gaming | Global iGaming & Tech Intelligence Hub.

Continue Reading

Gaming

Why Some Slot Themes Perform Better in Different Markets

Published

on

why-some-slot-themes-perform-better-in-different-markets

A slot that breaks records in Las Vegas can flop in Stockholm. One that prints money across Macau might leave Western players scratching their heads.

It happens all the time, and it’s rarely an accident.

Player taste is shaped by culture, regulation, storytelling habits, and even the kind of phone someone uses to play. Once you start digging into why some themes win in some markets and stall in others, the patterns get pretty clear.

Cultural Influence on Slot Theme Preferences

People are drawn to what feels familiar. Mythology, history, and cultural symbols come pre-loaded with meaning, which makes recognition easier from the very first spin.

A Norse warrior slot lands differently for a player in Gothenburg than it does for one in Tokyo. The imagery taps into stories already living in their cultural memory.

That’s why certain themes punch above their weight when matched to the right region. Norse mythology peaks in Northern Europe. Dragons and koi fish dominate East Asia. Ancient Egypt, oddly enough, travels almost everywhere thanks to decades of pop-culture exposure.

Developers have noticed. They’re now drilling into culturally specific micro-niches, drawing on real historical detail rather than recycling tired clichés. Modern players spot lazy localization in seconds, and they punish it.

Visual Style and Regional Design Preferences

Aesthetic expectations also shift sharply between regions.

Some markets prefer clean, minimal interfaces with uncluttered reels and easy-to-read paytables. Others want vibrant colors, dense animation, and constant movement on screen.

Asian markets typically gravitate toward red-and-gold palettes, ornate symbol design, and celebratory sound effects. Nordic players tend to favor sleeker, video-game-quality production with restrained visuals.

The slots that travel best find a way to keep universal appeal while quietly localizing the small stuff. That might mean dialing back color saturation, swapping out the soundtrack to fit local musical tastes, or tweaking pacing so wins feel either explosive or steady depending on who’s playing.

These details look minor on paper. They often decide whether a title sticks in a market or vanishes within weeks.

Popular Slot Themes Across Global Markets

North America leans hard into entertainment-driven, jackpot-focused titles. Branded slots tied to films, TV, and music do well, alongside progressive heavyweights like Mega Moolah and Wheel of Fortune. Big-win marketing and instant brand recognition carry a lot of weight here.

American-themed slots featuring buffalo imagery, Vegas iconography, and Wild West motifs also remain strong sellers. Coverage of American-themed slots shows how patriotic visuals and classic three-reel formats keep pulling loyal audiences across regulated US states.

Asia is dominated by themes built around luck and prosperity. Titles like 88 Fortunes and Dragon Link work because their symbols — gold ingots, dragons, lanterns, festival imagery — connect directly to long-standing beliefs about fortune.

Interestingly, Asian-themed slots also perform unusually well in Latin America. A lot of that comes down to early market exposure: Asian providers entered those markets first and shaped player taste before Western developers caught up.

Europe, including Sweden and the wider Nordics, favors adventure and mythology. Book of Dead, Vikings Go Berzerk, Starburst, and Gonzo’s Quest stay popular because they hit a sweet spot between accessible gameplay and strong storytelling.

Sweden has a deeper connection to these games than most. Many of them — Starburst and Gonzo’s Quest among them — were built by Swedish studios like NetEnt and Play’n GO right out of Stockholm.

Regional Market Trends and Player Behaviour

Behavior itself varies by region, not just taste.

Some markets gravitate toward high-volatility gameplay with rare but massive payouts. Others prefer steadier, low-risk experiences that stretch session length.

North American players often chase jackpot potential and the dream of life-changing wins. Asian markets emphasize symbol-rich, visually intense gameplay where the experience itself is the reward.

Nordic markets sit somewhere in the middle. Swedish players in particular are known for analytical play. They want transparent mechanics like Megaways and Hold & Win, and they tend to stick with trusted, familiar titles rather than chasing every new release.

Industry data from Evolution, the group behind Swedish slot pioneers NetEnt and Red Tiger, points to Swedish-built slots having set the bar for production quality. That’s part of why local players hold such high expectations.

How Platforms Adapt Slot Libraries for Different Regions

Players don’t usually find their favorite slots by accident. Online casino comparison platforms do a lot of the heavy lifting.

These sites curate libraries based on local taste, regulation, and language. They cut through thousands of available titles and surface the ones that actually fit a given market.

In Sweden, this is especially noticeable. An online casino comparison site such as casinohallen.se tends to spotlight the slots that resonate most with Nordic players — Starburst for its clean design and steady low-volatility wins, Book of Dead for its Egyptian adventure framing, Gonzo’s Quest for its cascading Avalanche mechanic, and Reactoonz for its quirky character-driven gameplay.

The same logic applied in North America would push jackpot networks and branded titles to the top. An Asian-focused platform would lead with dragon and prosperity themes.

The role of these comparison sites isn’t just to list options. They act as cultural filters, surfacing the games most likely to actually click with a specific local audience.

Game Design Elements That Influence Global Success

Mechanics carry as much weight as themes.

Free spins, cascading reels, expanding wilds, bonus multipliers, and Megaways-style variable paylines all amplify theme performance when they line up with the narrative.

Book of Dead works because the expanding symbol mechanic feels like uncovering an ancient secret. An adventure slot needs progression. A prosperity slot needs symbols that feel ceremonial when they land. Mismatch the mechanic and the theme, and the whole thing feels off.

Globally successful slots tend to share a formula: simple core gameplay, a recognizable theme, and one or two distinctive mechanics. That combination travels well without losing identity.

As Slots 101 coverage on slot fundamentals points out, the genre’s real strength is how easily it adapts. A few tweaks to symbols, sound, and volatility can transform the same underlying game into something that feels native almost anywhere.

In the end, slot performance is a reflection of the player. Get the cultural fit right, match the mechanics to local risk appetite, and respect regional aesthetic expectations — and a slot can quietly become a market favorite for years.

The post Why Some Slot Themes Perform Better in Different Markets appeared first on Americas iGaming & Sports Betting News.

Continue Reading

Trending

Get it on Google Play

Fresh slot games releases by the top brands of the industry. We provide you with the latest news straight from the entertainment industries.

The platform also hosts industry-relevant webinars, and provides detailed reports, making it a one-stop resource for anyone seeking information about operators, suppliers, regulators, and professional services in the European gaming market. The portal's primary goal is to keep its extensive reader base updated on the latest happenings, trends, and developments within the gaming and gambling sector, with an emphasis on the European market while also covering pertinent global news. It's an indispensable resource for gaming professionals, operators, and enthusiasts alike.

Contact us: [email protected]

Editorial / PR Submissions: [email protected]

Copyright © 2015 - 2024 - Recent Slot Releases is part of HIPTHER Agency. Registered in Romania under Proshirt SRL, Company number: 2134306, EU VAT ID: RO21343605. Office address: Blvd. 1 Decembrie 1918 nr.5, Targu Mures, Romania